I often think of the things Jean-Louis Rodrigue and Kristof Konrad taught me with the Alexander Technique. The Lunch Box only got made because I was able to pitch it effectively after working with them.
I often think of the things Jean-Louis Rodrigue and Kristof Konrad taught me with the Alexander Technique. The Lunch Box only got made because I was able to pitch it effectively after working with them. Arte France was in the audience at the Berlinale pitch, and they came on board with the film 6 months later — filling the gap that allowed us to make the film.
